I dig it. Chicks Unravel Time, ed. Deborah Stanish and L.M. Myles, brings in a mad collection of feminists – fans, authors, artists – to take a look at every season of Doctor Who. And what a look! They give close examinations to everything from the use of stock music in Season 5 in Classic Who to David Tennant’s bum in Series 2 of New Who. (We women like every aspect of the Doctor, apparently.)
Here are a few shout-outs to essays that ringed a bell for me.
In “Guten Tag, Hitler,” Rachel Swirsky asks some pointed questions about the Doctor. As a child, Swirsky asked her mom if her family was safe from such persecution because they did not practice the Jewish religion. No, said her mother. So this episode takes on highly personal significance for Swirsky. She asks the very reasonable question of why the Doctor didn’t try to save the Jews from Hitler. “The Doctor,” she writes, “doesn’t save people from the all-too-real horrors of trenches and machetes. He rescues them from malfunctioning robots.”
In “Identity Crisis,” L.M. Myles writes, “[Patrick] Troughton’s not merely good as the Doctor, he’s the best.” Thank you, L.M. Myles. I’ve never heard anybody say that before, but I absolutely agree. She writes: “His performance combines humor, compassion, intelligence and mystery in a way that’s still unmatched by any other actor to take on the role” and “[his] whimsy and apparent uncertainty in his own abilities makes him a very different sort of hero.” Yes, and yes. Troughton is panicky as often as he is triumphant and out of control as often as he is successful. I love it. Who wants a hero who has everything handled?
In “The Women We Don’t See,” K. Tempest Bradford looks at Season Thirteen, companion Sarah Jane Smith, and all the other women . . . who weren’t there. “For most of this season, the Doctor travels alone with Sarah Jane – and in half the stories, she’s the only women we see, with the exception of extras and background people. This erasure is as glaring as the stereotypes we get when women do eventually show up.” I remember watching this season for the first time. And the second. And the third. And not noticing that omission.
In “No Competition,” Una McCormack argues that Season 26, with Sylvester McCoy as the Doctor, is the best season ever. She writes, “Season Twenty-Six contains a magic combination of complex storytelling and satisfactory realization that, to my mind, is never quite matched before or since.” I agree it’s pretty darn awesome. Sylvester McCoy and his companion Ace are some of my favorite characters. McCormack writes: “Ace grows up, and Doctor Who grows up with her. Again and again, the season imagines women as heroes of their own narratives, as authors of their own stories.” Yeah. What she said.
In “Ace Through the Looking-Glass,” Elisabeth Bolton-Gabrielsen covers that story arc that Ace should have had, if the show hadn’t been cancelled. I didn’t know this, but Ace was supposed to train to become a Time Lord.
I’ve saved my favorite for last. In “Maids and Masters: The Distribution of Power in Doctor Who Series Three,” Courtney Stoker takes on the power dynamics between the Doctor and his companions. She writes: “Power impacts every relationship the Doctor has, but it’s not something Who fans talk about often. We like to pretend, I think, that the Doctor’s extraordinary power isn’t important. We like to think that it doesn’t affect him or his relationships with others. We like to think that if companions are ‘strong’ enough, sassy enough, smart enough, they are his equals. But no matter how many times a companion saves the Doctor, or how many times a companion stands up to him, they don’t have his power.” The rest of the essay is a frank assessment of power dynamics in Series Three. (Can I just add, on a related note, how disturbing and gratuitous I found the maid/Master dynamic in the tenure of Martha Jones?) I loved this essay because I am always analyzing power dynamics in Doctor Who relationships. I relish every last little bit of power the companions wrest from the Doctor or that the Doctor yields to the companions. And I love all the moments when the power dynamics between the Doctor and his companions shift one way or another. Stoker asks: “Are we fans as attracted to the Doctor’s power as his companions are?” Um, yes.
I’ve picked out these essays in particular, but the others are just as stunning. Go get it! It’s available as part of a box set on the Mad Norwegian Press website.